Lissa Schneider-Rebozo
B.A., Northwestern University
M.A & Ph.D., University of Miami
Areas of Specialization:
Late Nineteenth and Twentieth Century British and World Literature,
Joseph Conrad, Gender Studies, Film Studies, and Contemporary Drama.
Publications:
Books and Monographs
Conrad's Narratives of Difference: Not Exactly Tales for Boys. New York: Routledge Press (August 2003).
Juried Articles:
"Iconography and the Feminine Ideal." Heart of Darkness:
Norton Critical Edition. Fourth Edition. Ed. Paul B. Armstrong.
New York: W.W. Norton and Company, November 2005.
"Torches, Blindfolds, and the Light of the Feminine in Conrad."
Conrad's Century. Ed. Laura Davis. Boulder: East European Monographs
(distributed by Columbia University Press, New York), 1998. 203-224.
"'The Woman Alone' in Conrad and Hitchcock."
Conrad on Film. Ed. Genen M. Moore. Cambridge: Cambridge University
Press, 1997. 61-69.
"'This Mysterious and Migratory Jewwlry': Satire
and the Feminine in Djuna Barnes's 'The Terrorists.'" Review
of Contemporary Fiction 13:3 (Fall1993): 62-69.
"Love Medicine: A Metaphor for Forgiveness." Studies
in American Indian Literatures 4 (Spring 1992): 1-13.
(Reprinted in Novels for Students E-Book Bundle.
Ed. Mark Milne. Farmington Hills, MI: Thomson Gale Books, Forthcoming,
December 2006)
(Reprinted in Native American Writing: Critical Assessments.
Ed. A. Robert Lee. Forthcoming, 2006).
(Reprinted in Novels for Students, Vol. 5. Ed. Sharon L. Ciccarelli.
Detroit: Gale Research, 1999).
(Reprinted in Native American Women Writers. Ed. Harold Bloom.
Philadelphia: Chelsea House, (1998).
